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A unique perspective on scale and imagination, reflected in the story of the Library of Light and the CONGREGATION Project.

Orlandi is known for her intuition in discovering new design talent. “I’m not a trend-setter,” Orlandi says, adding that he seeks the spirit and story of a work rather than its functionality.

Material selections for Dornbracht Atelier Edition The Rock showcase a complex production method. The product uses two main materials: solid brass and various types of natural stone. The brass option provides a strong and reliable base. The brass body is carefully machined. It is polished and coated with high-gloss chrome plating. This process ensures the finished handle looks very strong. It has a solid and stable style. Polished or matte brass finishes are available. This offers the option to choose between a glossy look or a calmer metal aesthetic.

Discover a commitment to promoting long-lasting products, reducing waste, and supporting a circular economy through collaboration with local artisans and manufacturers. The company is dedicated to extending the life of design pieces by reviving and restoring them without compromising their integrity. By working closely with local producers and craftspeople, Cultivated reinforces a sustainable circular economy while highlighting the importance of community engagement in advancing sustainability.

Bjarke Ingels
Know more about Amazing Interior Designer Patricia Urquiola 6
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Han Tumertekin

Bjarke Ingels
Founder, BIG

Patricia Urquiola
Designer

Neri Oxman
Researcher, MIT Media Lab

Sou Fujimoto
Architect

Han Tümentekin
Architect

Design is not only about aesthetics or fashion.

It is about the kind of world we want to live in.

When designing buildings, we have both the opportunity and the responsibility to observe, understand, and respond to how life evolves.

Matter is not neutral.
It is embedded with values — including social and economic ones.

Designing the decay of a product is as critical as designing its inception.

A design is defined not only by how it is made, but also by how it disassembles, transforms, and ultimately ceases to exist.

Within this approach, the end is not a loss or a failure, but a deliberately constructed phase of the process.

I want architecture to be like a forest.
Its beauty comes from diversity, randomness, and light.
But it is not chaos — behind it lies a profound order.

Form is only meaningful if it solves a problem; it cannot be arbitrary.